Almost any drink you could order at a coffee shop has a pre-programmed setting built-in. There are settings for cappuccinos, lattes, flat whites. To make a drink, you use the touch screen to select what you want from a long list of preset options. The Breville Fully Automatic Espresso Machine has literally anything you could want in an espresso machine. If you thought the previous two machines were expensive, then you’re in for a shock. This means you will find yourself filling the reservoir and removing old pucks frequently. The water reservoir only holds 20 ounces, and it can only hold five used pucks. The tradeoffs are the ceramic burr, which is less durable, and a smaller capacity. It is significantly cheaper than most other super-automatic machines, and yet it still makes great coffee. The major selling point for this machine is its price. The brew group is removable, which makes cleaning much easier. It has several preprogrammed drinks to choose from, and you can also create your own custom drink settings, which is nice to have. Steel and ceramic offer similar levels of grind performance, but ceramic can’t match steel in terms of durability. Instead of a steel burr grind, the 59101 Brera features a ceramic burr set. The first area where Gaggia has cut costs is in the grinder. It doesn’t offer quite the same level of performance as the De’Longhi, but it is much more affordable, making it one of the best super-automatic espresso machines for the money. Our runner-up is the Gaggia 59101 Brera Super Automatic Espresso Machine. While it would be nice to have, this machine does literally everything else with best-in-class results.Īll in all, we think this is the best super-automatic espresso machine available this year. Other machines come with automatic frothers that make your job even easier. If we had to nitpick, we’d focus on the frother, which really isn’t anything special. There’s a reason this machine takes our top spot, and there aren’t many things to complain about. We also love that the brew unit is removable, making it easy to clean without specialized tools. Once you get the settings dialed in, you can make the perfect shot of espresso with only one button. It’s easy to use, and there are a ton of options you can control to get the perfect shot.Ī really nice feature is the ability to save your preferences for future use. Once the coffee is ground, the grounds are tamped, the water is heated, and the pressure pump initiates the brewing process while you watch. The grinder has a high-quality steel burr with 13 settings and automatically grinds your coffee on demand. Kicking things off, we have the De’Longhi Magnifica Super-Automatic Espresso Machine. These reviews are designed to fit many different priorities, so there’s something here for everyone. If you are serious about getting the best hands-off espresso experience money can buy, sit back and let us walk you through the world of super-automatic espresso machines. Espresso is an expensive hobby in general, but super-automatic machines take that expense to a whole new level. But be warned, these machines are not cheap. Super-automatic espresso machines have been around for a long time and are the pinnacle of at-home espresso making. If that sounds pretty good to you, then you’re not alone. That means grinding the beans, heating the water, pulling the shot, and even frothing milk for cappuccinos and lattes, all while you sit idly by. A super-automatic espresso machine is designed to make espresso from start to finish automatically. If you love espresso but don’t love the effort and attention that goes into making an excellent cup, a super-automatic espresso machine might be exactly what you need.
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Not that I expect to get super-detailed insights from the provided aggregated numbers, but it’s better than nothing. Generally, I am a big fan of owning my data so that I can process and analyze it in whichever way I want. Let’s start with the destination - I wanted to get to a point where I can aggregate Spotify data all in one place, ideally in something like a SQLite database file, that I can then pipe to a Python program in Jupyter notebook for analysis. My starting point was Spotify, because their API was the least convoluted. Nonetheless, as someone that runs a podcast, I got really tired of going to three different pages to get the data I need, so I decided that I will start solving this problem for myself, and hopefully for someone else while at it. Now, this is not the fact that there is too much data but rather that this data is scattered across different providers, with different systems, and different ways to manage it.Īpple has their own analytics, Google has an entirely different experience, and Spotify has a dashboard as well (although experience-wise it’s leaps and bounds better than the former two). The CNN podcast starts tomorrow.If you are a podcast owner, one of the things that can be a bit annoying is the multitude of different data points that are available for the show. Martinez is responsible for all aspects of The Assignment’s show development, editorial and production for the podcast he moves from The On Being Project. Matt Martinez has been appointed as showrunner for The Assignment with Audie Cornish.Recorded in binaural, it takes you to different places in Singapore for a few minutes, letting you travel there without leaving home. Singapore for becoming our latest supporter. One of them: “ Conan O’Brien Needs a Friend is the best podcast in the world”. Tell your friends.įurther reading: The Duke Chronicle listened to 24 hours of podcasts and reveals “six increasingly spicy hot takes”. PSA: Applied for a job with JAR Audio only to find they want money? It’s not them: it’s just a phishing scam. The Guardian has launched Noisycharts - a way of turning data into sound. RØDE has released the NT-USB+ - a condenser USB-C microphone. Zeno Media has partnered with SoundStack. all bring tremendous value to her audience. To Live Your Best Life, Live Label Free - Join Deanna on her journey welcoming dynamic guests on her show who embody living label free! She connects with entrepreneurs, authors, artists, coaches. Let's be Podcast Besties! □ - Podcast Bestie is a weekly newsletter and best friend to podcasters seeking jobs, industry info, craft tips, marketing strategies, and creative inspiration. □Instant Podcast Show Notes Without Typing A Word - Are you spending your precious time or hiring an expensive virtual assistant to write show notes for your podcast? What if there was a way to upload your audio & instantly get show notes and more… Dozens more include Huberman Lab, FoundMyFitness and Canadaland. Who grew 50% moving from Patreon to Supercast? □ - Hidden Forces switched from Patreon and grew subscribers 50% in 3 months with a frictionless sign-up experience. In the UK, Octave Audio has renewed its partnership with Veritonic’s Brand Lift technology. Jay LeBoeuf from Descript will be a guest on the Podnews Weekly Review podcast this Friday.The company has also announced a $50m funding round. Descript Storyboard has more than 30 new visual and AI-powered editing features. Open video podcasts using RSS work across many other platforms including Apple Podcasts Podnews analysis of the Podcast Index suggests there are now 53,952 video podcast shows on RSS, up 38% year-on-year.Įditing software Descript has launched a new version of the program. The service only works for shows hosted with Anchor, for playback within Spotify.Until now they’ve only been in twelve markets the proprietary service launched in April. Spotify and Anchor's blog posts, made in July, have been updated. Spotify has released video podcasts everywhere - “in 180 global markets”. We’ve got podcasts we’ve got audiobooks… is there a third thing? And what does it sounds like? Tom Webster writes for Sounds Profitable with RedCircle this week. In the years before its announcement, a new Grand Theft Auto game became highly anticipated, and journalists noted some fans had become frustrated by Rockstar Games's continued silence, particularly after they announced a re-release of Grand Theft Auto V in 2020. Writing for Bloomberg News in July 2022, Schreier reported the game, titled Grand Theft Auto VI, entered development in 2014 and would feature a pair of protagonists influenced by Bonnie and Clyde, including a Latina woman he claimed the developers were cautiously subverting the series' trend of joking about marginalised groups. In July 2021, journalist Tom Henderson claimed the game would be set in modern-day Vice City, its map could evolve akin to Fortnite, and it would not release until 2025 Schreier reaffirmed these reports. In April 2020, Kotaku 's Jason Schreier reported the game was "early in development" as "a moderately sized release" that would expand over time, to avoid the developer crunch of its predecessors. In March 2018, The Know reported the game, code-named Project Americas, would be set primarily in a reworked Vice City and partly in South America, with a female playable protagonist. Footage from an unfinished version leaked online in September in what was described as one of the biggest leaks in the history of the video game industry.įollowing the release of Grand Theft Auto V in September 2013, Rockstar North president Leslie Benzies said the company had "some ideas" for the next entry in the series. Following years of speculation and leaks, Rockstar confirmed the game was in development in February 2022. It is due to be the eighth main Grand Theft Auto game, following Grand Theft Auto V (2013), and the sixteenth instalment overall. An untitled Grand Theft Auto game is in development by Rockstar Games. Certain images are slightly gruesome, not nothing that veers into overly uncomfortable territory Despite the fact that most climbable surfaces are marked with some white gunk and the odd movable item gets a little effect to signify that, too, it can be hard to tell where you can climb up and get down whenever it isn't deliberately made obvious thanks to the seamlessness of the art. And so you climb up hills and platforms until you reach the mechanical fans, all at quite a leisurely tempo considering there are deadly spores in the air and plenty of corpses nearby from the lives it already claimed. Looking at them through Mo's eyes tells the story of places long abandoned, places that she for some reason still feels responsible for. These environments are beautiful, heaving with small details like the clutter of a thoroughly lived-in house or the dilapidated remains of a theme park. Minute of Islands is probably closest to a platformer, in that you sometimes actually jump from platform to platform, but mostly just try to find your way around in the 2D side-scrolling environments. The gameplay revolves around getting to these fans in the first place. Mo's task as bearer of the omni switch, a sort of part mechanical, part magical admin master key, is to reroute emergency power to a number of different fans across her small archipelago and thus restore order. But the giant, one of a group of brothers, has tired, causing a toxic chain reaction of machine failures. The first view you get of what's powering the fan is a special moment, as you come face to face with a hulking giant, living underground, his only purpose seemingly that of running a crank like a hamster in a wheel. As the narrator tells it, as a young woman named Mo, you wake up one morning to silence where there really should be noise - the noise of machines humming underground, powering the fans that keep the islands free of lethally toxic spores. Minute of Island's first impression certainly is striking, because it's altogether more gloomy than what you'd expect based on its art style.
Meltdown is enraging and engaging, must-listen audio entertainment for anyone who wants to know how we ended up where we are now - and where we might be going next. Meltdown is the first collaboration between Audible, a leading producer and provider of original spoken-word entertainment and audiobooks, and Jigsaw Productions, the production house launched and helmed by Oscar-winning director Alex Gibney ( Taxi to the Dark Side, Enron: The Smartest Guys in the Room, Going Clear: Scientology and the Prison of Belief) in collaboration with Transmitter Media, the Peabody-nominated and Webby-winning production company behind podcasts such as Finding Fred, Work Life with Adam Grant and Tabloid: The Making of Ivanka Trump. Sirota talks to politicians who made the laws, the investigators who uncovered massive fraud and ordinary people who lost homes, families and livelihoods, in order to shed light on why the economic disaster happened, why nobody succeeded in fixing it, and why the country soon embraced the politics of rage. This is an epic adventure, a search for answers that stretches from Bogotá, Colombia to Madison, Wisc., to Washington, D.C. Against a backdrop of rising interest rates and scarce investment capital, Silicon Valley Bank’s shares plummeted this week after the firm said it would book a 1.8 billion loss related to. In this thrilling, 8-part podcast, investigative journalist David Sirota explores why the financial crisis happened, how the bailout went so wrong, why politicians covered up Wall Street’s crimes and what the lasting impact of the meltdown was on America’s political, social and economic fabric. Bannon spoke approvingly in October about how his. Bank lobbyists believe the Fed may now be encouraged to press ahead with tougher rules that it was just. The largest library of documentary podcasts available anywhere. Banks fought to fend off tougher regulation. The 2008 financial crisis - and the government’s botched, multibillion-dollar bailout - is the skeleton key that unlocks almost every big thing that’s gone wrong in America in the 21st Century, from climate change, to the all-out assault on democracy, to the rise of white nationalism. A call to action The podcast’s relentless barrage of election deception would be damaging enough to American democracy if it were just talk. The Three Mile Island accident was a partial nuclear meltdown which occurred at the. How did we end up in this version of America, with neighbors divided against neighbors, and some citizens angry enough to storm the U.S. Check out the full internationally syndicated Urban Meltdown Radio show daily at or on over. All Rights Reserved.Listen to the trailer now and the full podcast on 10/28. All amazing things happening right here on this astonishing and completely -typical episode of Anime Attic Presented by Meltdown Comics! From Rock N Roll Hall of Fame members to bands just starting out, Meltdown takes rock music fans behind the scenes to find out what these talented musicians are really about. In part B of this episode which is actually the first half of their conversation, Mason is joined by the coolest Internet Celebrity superstar ever Alexi Wasser for a heart-wrenching soul searching talk about love and breakup, first dates, drugs, and fantasy vs reality and maybe even a little bit of anime. The biggest names in rock music are Talkin’ Rock with Meltdown. Imagine you get to meet your celebrity crush, imagine you get to talk to them and ask them to be on your show.imagine they say yes.what do you do? Would you ask them out?! Guess what Iiii diiiddd. (c) The Criminal Identification Bureau may furnish fingerprints, photographs, records or other information to authorized law-enforcement and governmental agencies of the United States and its territories, of foreign countries duly authorized to receive the same, of other states within the United States and of the State of West Virginia upon proper request stating that the fingerprints, photographs, records or other information requested are necessary in the interest of and will be used solely in the administration of official duties and the criminal laws. (b) The Criminal Identification Bureau shall cooperate with identification bureaus of other states and of the United States to develop and carry on a complete interstate, national and international system of criminal identification. Members of the department assigned to the Criminal Identification Bureau shall carry out their duties and assignments in accordance with internal management rules and regulations pertaining thereto promulgated by the superintendent. The superintendent shall appoint or designate a supervisor to be in charge of the Criminal Identification Bureau and such supervisor shall be responsible to the superintendent for the affairs of the bureau. (a) The superintendent of the department shall establish, equip and maintain at the departmental headquarters a Criminal Identification Bureau, for the purpose of receiving and filing fingerprints, photographs, records and other information pertaining to the investigation of crime and the apprehension of criminals, as hereinafter provided. Criminal Identification Bureau establishment supervision purpose fingerprints, photographs, records and other information reports by courts and prosecuting attorneys offenses and penalties. He’s equally apt at balancing the story of the protagonists with that of the impressive lineup of supporting players, who are all clever variations on clichés and are played by the impressive ensemble. Their sweet rapport is a nice antidote to much of the gross-out, caricature-like humor, and the occasional injection of highbrow references, such as a ditzy blonde student who’s called Chantal Akerman, is further proof that Dagtekin is a master at blending different registers. Her behavior is as saintly as Zeki’s profane where she gets all worked up when someone chews gum in class or uses an inappropriate word, her against-all-odds love interest does nothing but smoke, drink, swear, flip the bird, push one kid’s head under water or shoot another - and that’s when he’s teaching. Mueller’s main foil is the bespectacled good girl Lisi (Herfurth, M’Barek’s equal on all fronts), a fellow teacher who went to Goethe High as a teen. By dialing the film’s tone way past hysterical - and at times, hysterically funny - from the start, Dagtekin succeeds in creating an atmosphere in which anything goes, but as in his previous work, he does ensure that the characters remain recognizable, even if their personalities have been greatly enlarged to augment the laughs. Of course, Mueller finds himself teaching a class that’s full of horrible teenage monsters indeed, who devise booby traps that have nothing on the work of seasoned special-ops soldiers. Nevermind that Zeki has no teaching certificate or any accurate knowledge of German (his mangling of the correct gender and cases is a running gag). In order to get regular access to the school’s basement, from where he hopes to drill a tunnel to his spoils, Zeki takes on a job as a substitute teacher offered to him by the prim principal ( Katja Riemann, in a delicious cameo), who is one teacher short after one of her staff ( Uschi Glas) had been so maltreated by her students, she jumped from a second-floor window, shouting “They’re all monsters!” Zeki Mueller (M’Barek) was in jail for 13 months, just enough time for Goethe High to construct a new gym on the exact spot where Zeki’s stripper friend, Charlie ( Jana Pallaske), buried his loot. The film’s $9 million local opening was the best score for a German film this year and second-biggest opening of 2013 and could also interest producers looking for Bad Teacher-inspired remake ideas. |
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